José Bernardo Fernandes (Zézé Nha Reinalda)
- Música
- compositor
Zezé di nha Reinalda was already part of Opus 7 in the mid-1970s, when his brother Zeca di nha Reinalda joined the group. Some time later, both are invited, like other members of the group, to form Bulimundo, in which Zezé remains only in the early days, not getting to record.
In 1981 he released his first solo album, with arrangements by Paulino Vieira, almost entirely composed of his own songs, whose title theme is Djentis d'aságua.
In 1982, when Zeca leaves Bulimundo, the two will record together the LP N'ca por si, also under the musical direction of Paulino Vieira.
A second album of the partnership between the two brothers is Konbersu'l tristi korbo nha xintido (1983).
In 1988, Zezé releases another solo album, Onti y oji, also recorded in Portugal by the group of musicians around Paulino Vieira. From then on he releases a new album every decade: Lugar pa nos tudo is from 1999 and Dukumentu comes out in 2008. In both, he tries to be in tune with the new times, interacting with a new generation of musicians.
Zezé di nha Reinalda was already part of Opus 7 in the mid-1970s, when his brother Zeca di nha Reinalda joined the group. Some time later, both are invited, like other members of the group, to form Bulimundo, in which Zezé remains only in the early days, not getting to record.
In 1981 he released his first solo album, with arrangements by Paulino Vieira, almost entirely composed of his own songs, whose title theme is Djentis d'aságua.
In 1982, when Zeca leaves Bulimundo, the two will record together the LP N'ca por si, also under the musical direction of Paulino Vieira.
A second album of the partnership between the two brothers is Konbersu'l tristi korbo nha xintido (1983).
In 1988, Zezé releases another solo album, Onti y oji, also recorded in Portugal by the group of musicians around Paulino Vieira. From then on he releases a new album every decade: Lugar pa nos tudo is from 1999 and Dukumentu comes out in 2008. In both, he tries to be in tune with the new times, interacting with a new generation of musicians.